Art Director + Creative Lead + Creative Manager
MORE NOISE PLEASE
The Essence of Stimulation
The brief was to create an original graphic design arguement that picks at a problem and finds solutions through experimentation and research revolving around processes of visual communication and/or invented languages, forms, typography, applications. The core to finding the problem, was first finding my own, authentic voice.
The instinct in design is to solve distraction: to simplify, to quiet, to turn the volume down, to provide scripted focus. Two years of research across design history, cultural movements, and the sociology of attention led to the opposite conclusion. The solution presented by LABL wasn't to reduce the noise. Instead, it was meant to increase the volume. It is meant to be a sarcastic, scary commentary on the current state of capitalism, politics, and social media.
At its core, LABL can be defined as an Augmented Reality Social Media Application where users pin messages to locations, objects, and people through machine learning, pattern recognition, facial recognition, and GPS. Messages can be viewed in real-time through the camera interface. They exist in the digital world based on the users subscription level. The more the user pays, the more control they have over the timelines, amount of messages, and chracter counts associated with their augmented airwaves.
LABL is now in active development.



Process Book
I believe our jobs as designers is to clearly communicate through strategically targeted messaging to find solutions that make a thing, or a person, memorably disruptive and universally relatable. With these thoughts, I study trends and movements looking for divergent themes that carved places into our history of propagating culture.
Explorations of templates (pg. 422) created from famous designs were filed with contrasting content and images generated with early AI (pg. 112) tools used to combine works of well known graphic designers led me to ever present technological distractions, the power of information fragmentation, instantly accessible knowledge, the current rate of the transfer of ideas, increasing speeds of cultural moments, and the affects of these ideas and a combination of these ideas on society. Instead of trying to find ways to turn the volume down, I decided to turn it up.
Graphic Identity
Univers anchors the system — originally designed to be emotionally neutral, which fits the concept precisely. Karla provides the contrast: embellished and mechanical, built for label-gun energy. A high-contrast CMYK palette with 45%-opacity backgrounds lets each LABL coexist with its environment without disappearing into it. The iconography was built for quick legibility and intuitive use.
Follow
Messenger
LABL
Self
LABL
Filter
Content
Content
Archive

Interface Iconography
45°

Typographic Style
Primary Colors
Secondary Colors
Univers was originally designed to be neutral to reduce emotive inferences - fitting conceptually. Karla has an embellished aesthetic making it ideal for a label gun while contrasting with the neutrality of Univers.
Graphic Elements
45% opaque white background separates posted LABLS from their environments.
High contrast tones and a basic CMYK color scheme gives an edgy, punk-like feel, as well as hints of playfulness.



Instructions
Select target
Type message
Press LABL
See LABL
Press

Early Development
Browser based experiments focused on organizing text over a selected object in an augmented space.
See your LABL
Press LABL
Type your message
Select your target
Instructions
Press






Mockups













