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Art Director + Creative Lead + Creative Manager

MORE NOISE PLEASE

The Essence of Stimulation

The brief was to create an original graphic design arguement that picks at a problem and finds solutions through experimentation and research revolving around processes of visual communication and/or invented languages, forms, typography, applications. The core to finding the problem, was first finding my own, authentic voice. 

 

The instinct in design is to solve distraction: to simplify, to quiet, to turn the volume down, to provide scripted focus. Two years of research across design history, cultural movements, and the sociology of attention led to the opposite conclusion. The solution presented by LABL wasn't to reduce the noise. Instead, it was meant to increase the volume. It is meant to be a sarcastic, scary commentary on the current state of capitalism, politics, and social media.

At its core, LABL can be defined as an Augmented Reality Social Media Application where users pin messages to locations, objects, and people through machine learning, pattern recognition, facial recognition, and GPS. Messages can be viewed in real-time through the camera interface. They exist in the digital world based on the users subscription level. The more the user pays, the more control they have over the timelines, amount of messages, and chracter counts associated with their augmented airwaves.

LABL is now in active development.

Brian Ostroff - LABL Logo, white letters on black rectangle
Brian Ostroff - LABL Brand Icon, Arrow and rotated "L"

Process Book

I believe our jobs as designers is to clearly communicate through strategically targeted messaging to find solutions that make a thing, or a person, memorably disruptive and universally relatable. With these thoughts, I study trends and movements looking for divergent themes that carved places into our history of propagating culture.
 
Explorations of templates (pg. 422) created from famous designs were filed with contrasting content and images generated with early AI (pg. 112) tools used to combine works of well known graphic designers led me to ever present technological distractions, the power of information fragmentation, instantly accessible knowledge, the current rate of the transfer of ideas, increasing speeds of cultural moments, and the affects of these ideas and a combination of these ideas on society. Instead of trying to find ways to turn the volume down, I decided to turn it up.

Graphic Identity

Univers anchors the system — originally designed to be emotionally neutral, which fits the concept precisely. Karla provides the contrast: embellished and mechanical, built for label-gun energy. A high-contrast CMYK palette with 45%-opacity backgrounds lets each LABL coexist with its environment without disappearing into it. The iconography was built for quick legibility and intuitive use.

Follow 

Messenger

LABL
Self

LABL

Filter

Content

Content

Archive

Brian Ostroff - LABL brand guide, UX and Logo

Interface Iconography

45°

Brian Ostroff - LABL Brand Guide, Primary and Secondary color

Typographic Style

Primary Colors

Secondary Colors

Univers was originally designed to be neutral to reduce emotive inferences - fitting conceptually. Karla has an embellished aesthetic making it ideal for  a label gun while contrasting with the neutrality of Univers.

Graphic Elements

45% opaque white background separates posted LABLS from their environments.

High contrast tones and a basic CMYK color scheme gives an edgy, punk-like  feel, as well as hints of playfulness. 

Brian Ostroff - LABL, step-by-step AR labeling instructions
Brian Ostroff - LABL mockup marketing screenshot
Brian Ostroff - LABL, step-by-step AR labeling instructions

Instructions

Select target

Type message

Press LABL

See  LABL

Press

Brian Ostroff - LABL Brand Icon, Arrow and rotated "L"

Early Development

Browser based experiments focused on organizing text over a selected object in an augmented space.

See your LABL

Press LABL

Type your message

Select your target

Instructions

Press

Brian Ostroff - LABL Brand Icon, Arrow and rotated "L"
Brian Ostroff - LABL, step-by-step AR labeling instructions
Brian Ostroff - LABL, step-by-step AR labeling instructions
LABL - Early tech tests to get messages to stick to an object in 3-D space
LABL - Early tech tests to get messages to stick to an object in 3-D space

Mockups

Brian Ostroff - LABL, marketing poster, LABLs in the middle of the desert
LABL - Early tech tests to get messages to stick to an object in 3-D space
LABL - Early tech tests to get messages to stick to an object in 3-D space
Brian Ostroff - LABL, marketing poster, within a poster
Brian Ostroff - LABL Logo, white letters on black rectangle
Brian Ostroff - LABL Brand Icon, Arrow and rotated "L"
Brian Ostroff - LABL Logo, white letters on black rectangle
Brian Ostroff - LABL Brand Icon, Arrow and rotated "L"
Brian Ostroff - LABL, marketing poster, within a poster
Brian Ostroff - LABL, marketing poster, kid with headgear
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