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Art Director + Creative Director

MORE NOISE PLEASE

The Essence of Stimulation

MORE NOISE PLEASE began as a two-year MFA thesis at ArtCenter examining distraction, fragmented information, and the loss of context in an increasingly digital world. Extensive research across design history, social media, human behavior, and emerging technologies informed its direction. Rather than quiet the noise, the project sought to amplify it.

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LABL uses augmented reality to layer social interactions over physical environments. The platform allows users to attach messages to people, places, and objects, challenging perceptions of identity, anonymity, privacy, and social behavior. It deliberately exaggerates the systems we have grown accustomed to accepting.

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What began as a speculative design experiment evolved into a comprehensive product system encompassing creative direction, visual identity, user experience, business strategy, and application development. LABL remains in active development.

Brian Ostroff - LABL Logo, white letters on black rectangle
Brian Ostroff - LABL Brand Icon, Arrow and rotated "L"

Process Book

The 463-page process book documents the evolution of the thesis through research, critical writing, visual experiments, and design development. It includes explorations of appropriation, early AI-generated imagery, and discarded directions, revealing the thinking and decisions behind the finished work.

Graphic Identity

Univers establishes a neutral typographic foundation, while Karla introduces the mechanical character of a label maker. A high-contrast CMYK palette and 45%-opacity backgrounds allow messages to coexist with their surroundings while maintaining legibility. The iconography emphasizes clarity, simplicity, and intuitive interaction.

Follow 

Messenger

LABL
Self

LABL

Filter

Content

Content

Archive

Brian Ostroff - LABL brand guide, UX and Logo

Interface Iconography

45°

Brian Ostroff - LABL Brand Guide, Primary and Secondary color

Typographic Style

Primary Colors

Secondary Colors

Univers was originally designed to be neutral to reduce emotive inferences - fitting conceptually. Karla has an embellished aesthetic making it ideal for  a label gun while contrasting with the neutrality of Univers.

Graphic Elements

45% opaque white background separates posted LABLS from their environments.

High contrast tones and a basic CMYK color scheme gives an edgy, punk-like  feel, as well as hints of playfulness. 

Brian Ostroff - LABL, step-by-step AR labeling instructions
Brian Ostroff - LABL mockup marketing screenshot
Brian Ostroff - LABL, step-by-step AR labeling instructions

Instructions

Select target

Type message

Press LABL

See  LABL

Press

Brian Ostroff - LABL Brand Icon, Arrow and rotated "L"

Early Development (pre AI)

Browser based experiments focused on organizing text over a selected object in an augmented space.

See your LABL

Press LABL

Type your message

Select your target

Instructions

Press

Brian Ostroff - LABL Brand Icon, Arrow and rotated "L"
Brian Ostroff - LABL, step-by-step AR labeling instructions
Brian Ostroff - LABL, step-by-step AR labeling instructions
LABL - Early tech tests to get messages to stick to an object in 3-D space
LABL - Early tech tests to get messages to stick to an object in 3-D space

Mockups

Brian Ostroff - LABL, marketing poster, LABLs in the middle of the desert
LABL - Early tech tests to get messages to stick to an object in 3-D space
LABL - Early tech tests to get messages to stick to an object in 3-D space
Brian Ostroff - LABL, marketing poster, within a poster
Brian Ostroff - LABL Logo, white letters on black rectangle
Brian Ostroff - LABL Brand Icon, Arrow and rotated "L"
Brian Ostroff - LABL Logo, white letters on black rectangle
Brian Ostroff - LABL Brand Icon, Arrow and rotated "L"
Brian Ostroff - LABL, marketing poster, within a poster
Brian Ostroff - LABL, marketing poster, kid with headgear
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